Richard K. Kent

“Contested Space: The Work of Robert Lowing’s Witness and American Landscape Photography,” catalog essay in Contested Space: Witness to Place—Photography of Robert Lowing. Lancaster: The Phillips Museum of Art, Franklin & Marshall College, 2015: 4-12.

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“Writing the World and One’s Place in It [Seamus Heaney’s `Alphabets’],” Field (No. 91, Fall 2014): 18-23.

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“Subject and Image: Zhang Yuming’s Search for Photographic Significance” (题材与影像：张玉明对摄影意义的探究, translation by Wang Yitong 王艺潼), catalog essay in Presence & Rendering: Zhang Yuming’s Photography (存在与呈现: 张玉明作品集). Beijing: Zhongguo minzu sheying yixu chubanshe, 2015 (bilingual): 18-22 (English). [online at http://photo.artron.net/20130621/n466348_1.html (2013)]

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Embracing the Uncarved Wood: Sculptural Reliefs from Shandong, China (擁質抱樸: 中國山東一個藝術家群體的木雕藝術), co-editor (with Christopher Zhu). Lancaster: The Phillips Museum of Art, Franklin & Marshall College, 2009 (bilingual).

 

 “Mapping the Coordinates of Silence: Relief Sculptures from the True Words Studio” (測繪無聲的座標：真言工作室的木雕作品). In Embracing the Uncarved Wood: Sculptural Reliefs from Shandong, China. Lancaster: The Phillips Museum of Art, Franklin & Marshall College, 2009: 1-8.

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“Voyages from Perception to Image,” catalog essay, The Selective Eye: Members of the Lancaster Independent Photographers. Lancaster: The Phillips Museum

of Art, Franklin & Marshall College, 2007: 3-11.